Royal Caldelian Silver Jubilee

Royal Caldelian Silver Jubilee
Glorious Things of thee are Spoken

Monday, October 12, 2020

Afua Hirsch: Our parents left Africa – now we are coming home

Afua Hirsch: Our parents left Africa – now we are coming home



As a child in London, Afua Hirsch was embarrassed by her African roots. Then, in February, she became a 'returnee', choosing to live in her parents' birthplace, Ghana. Her story is echoed across the continent: attracted by economic opportunity and a new sense of optimism, the African diaspora is starting to come back.

When I was a teenager, my mother overheard me telling my peers that I was Jamaican, a clearly absurd statement from a half-Ghanaian, half-English girl whose first name is one of the most common in a major African language.

My mother, born and raised in Ghana, was mortified. Although in part I was living out the now well-documented struggle of mixed race youngsters to grasp their identity, mainly I was just embarrassed. It wasn't cool to be African in those days and in my ignorant teenage way, I was acting out a much bigger crisis of confidence, one that had been swallowing Africans and spitting them out as permanent economic migrants in Europe and America ever since the end of colonialism.

My family left Ghana in 1962, and in those days, leaving was permanent. Flights were few and expensive and spare cash was instead sent back home, establishing a remittance economy that exists to this day. Life abroad, in London in the case of my mother's family, meant access to a stable income, reliable healthcare, plentiful food and a credible education. Meanwhile, many African states began falling apart.

The 90s, when I was so quick to deny any association with Africa, was the decade when wars from Sierra Leone to Rwanda formed one of the most lethal periods in African history since the end of the slave trade. It culminated in the Economist dedicating a notorious cover in 2000 to what it described as "the hopeless continent", claiming that across Africa "floods, famine… government-sponsored thuggery, and poverty and pestilence continue unabated".

Revolving door alternations between civilian and military rule continued in countries ranging from Nigeria to Burundi, Chad to Congo. The World Bank was offering financial bailouts, but with the condition that countries accepted the humiliating label of "highly indebted poor country". In Ghana HIPC, as it was popularly known, became a term of derision and a symbol of battered pride.

The sparkling literary talent Chimamanda Ngozi Adichie has said: "If I had not grown up in Nigeria, if all I knew about Africa were from popular images, I, too, would think Africa was a place of beautiful landscape, beautiful animals and incomprehensible people fighting senseless wars, dying of poverty and Aids, unable to speak for themselves and waiting to be saved by a kind white foreigner.

"The consequence of the single story is this," Adichie continues. "It robs people of dignity."

For many Africans, the whole ideology that the western world was more sophisticated became internalised into a kind of inferiority complex. One of my uncles, when he returned to London after a period of schooling in Ghana, simply exclaimed: "Back to civilisation." Anyone who could left and the subsequent brain drain only served to make matters worse.

The flight of Africans from their own nations fuelled cartoon-like perceptions of the continent abroad, in which the Economist was far from alone. And this was the context in which I grew up. Pretending to be Jamaican seemed a sensible solution at the time.



For my mother, that was the wake-up call she needed to organise our first trip to the west African land of her birth, an essential re-education in our roots. In 1995, we visited the Ghanaian capital, Accra, for the first time. I remember the usual things that people comment on when visiting equatorial African nations for the first time – the assault of hot air when stepping off the plane, which I confused with engine heat, the smell of spice and smoked fish on the air, and – most significantly for me – the fact that everyone was black. It sounds obvious but I had never really seen officials in uniform – immigration authorities, police, customs officers – with black skin. I don't think I had realised that there was a world in which black people could be in charge.

That first trip shaped my future in ways I could never have imagined. In the almost two decades that followed, I have moulded all educational and professional decisions into the form of a road that would lead me back to Africa. I devoured African literature, studied African politics, wrote my thesis on African women and political power, worked in development, law and now journalism, all with a focus on Africa. A decade ago, a job with an international development foundation led me to Senegal, where I lived for two years. Then, in February, I moved to west Africa for the second time, now setting up shop in the city of my very first trip to the continent, Accra.

Friends and relatives in the UK, even those who share my Ghanaian heritage, have repeatedly expressed astonishment at my desire to live in Africa. But the view from Ghana could not be more different. Far from being original, I find myself part of a narrative told with increasing fluency, as a steady stream of other European and American passport holders of African descent arrive at Ghana's Kotoka International airport, collect their worldly possessions from shipping containers at Tema port and search for homes in Accra's popular residential areas – Cantonments, East Legon and the Spintex Road.
They pay up to two years' rent upfront in dollars, at London prices, and find jobs with the growing number of international companies and professional service providers in Ghana or, more commonly, start their own business. At some point, this ceased to be an individual journey and instead became a phenomenon with its own label – "returnee".


There is a symmetry to the journey that returnees are making, which speaks volumes about the state of Africa today. Our parents left – exactly 50 years ago in my case – fleeing deteriorating economic conditions and limited opportunities at home. Now their children are forming an exodus from the crisis-ridden eurozone, four years of recession and the dogged perception of inequality and discrimination in the west. "Who needs the glass ceiling when you could be running your own business in one of the world's fastest-growing economies, enjoying the warm weather and surrounded by your own people?" one returnee to Ghana told me. "There is no contest."




The facts about Africa's change in fortunes are dazzling. Dubbed the "next Asia" for its rapid growth, the IMF forecasts that seven of the world's fastest-growing eco



nomies over the next five years will be in Africa; Ethiopia, Mozambique, Tanzania, Congo, Ghana, Zambia and Nigeria are expected to expand by more than 6% a year until 2015.


The resource-rich continent has benefited from a boom in commodity prices, ranging from cocoa to gold, but has also increased manufacturing output, which has doubled over the past decade. Surveys by firms such as Ernst & Young, Goldman Sachs and McKinsey all describe how the telecom, banking, retail, construction and oil and gas industries are booming, sending foreign direct investment to dramatic new highs, while themselves representing an eagerness among global firms to attract business in Africa.

In Ghana, whose economy is one of the strongest, with current growth of around 9%, the City of London is arriving in force. Investment banks, magic circle law firms and international consultancies are permanent fixtures at Accra's plush hotels, where they are literally queuing up to tout for business.

With the growth in GDP comes a burgeoning middle class. The number of households earning more than $3,000 per year is expected to reach 100 million by 2015, putting the continent on a par with India. A recent report by the African Development Bank on Africa over the next 50 years predicts that "most African countries will attain upper middle income status, and the extreme forms of poverty will have been eliminated".



It's hard to overstate the impact of mobile technology on this transformation. Mobile penetration in Africa is now around 50%, forming the fastest-growing mobile market in the world. There are 100 million in Nigeria alone, a country that 20 years ago had only 100,000 phone lines. Telecoms companies now compete fiercely for almost 700 million consumers, not just to make calls, but for mobile money transfers, banking or even tracking agricultural and commodities data for farmers.

Seven per cent of Africans have access to broadband, but this is expected to reach 99% by 2060. New infrastructure such as the fibre-optic submarine cables now connecting south and east Africa, and due to connect west Africa this year, are playing a role in transforming productivity and making online technology realistic for African nations.





There are comical collisions between new technology and old problems. In Ghana, whose impressive GDP growth has not been met with the requisite increase in national grid capacity, people are using Twitter to monitor the frequency of power outages. "Lights off", as it is colloquially, almost affectionately known, is endemic in many countries. Ghana's power failures pale in comparison to Nigeria, where Lagossians say that if they have four hours of continuous mains electricity, then it is a good day.

These contradictions are the reality in most African countries. Economic growth is neither designed nor distributed evenly. And, in reality, it has not been matched by the kind of improvement in living conditions that many of my grandparents' generation expected when they witnessed independence from colonial rule.

The reality is that many African governments still serve primarily as agencies for the distribution of foreign aid. As the Ugandan journalist Andrew Mwenda has said: "Most of the rich countries are attracted to Africa's poverty rather than its wealth. And in the process they end up subsidising our failures, rather than rewarding our accomplishments."

There is plenty of poverty to be attracted to. Average life expectancy is still only 56 years, child mortality remains high at 127 per 1,000 live births in 2010, and overall literacy rates are only 67%. Africa's economic growth is often described as "jobless" for its failure to create jobs, in particular for the 60% of Africans aged between 15 and 24 who are unemployed and who, a recent report found, have given up on finding work.

With these seemingly incompatible realities existing side by side, there is increasingly a PR war for the image of Africa overseas. The Economist, still apologising for its "hopeless continent" issue in 2000, recently branded Africa "hopeful" instead. Most international news outlets now have programmes or seasons specifically designed to champion positive news stories in Africa. The BBC runs African Dream, a series about successful African entrepreneurs, while CNN has African Voices.



But it is not the role of the media to sell a rebranded version of Africa, any more than it was right to paint it as the heart of darkness in the past. The problems remain and they are real. Since I moved to Ghana in February as west Africa correspondent for the Guardian and Observer, there have been two military coups. Everyone living in Ghana – rich and poor – is lumped together in a permanent jumble of terrible traffic, unreliable water and frequent power outages. Poverty is real here, there is hunger and disease, and there is no welfare state. Far from setting out policies that promise any real social change, many African governments are focused instead on administering foreign aid and directing showcase infrastructure projects that do little to benefit ordinary people.

As a journalist, I navigate both these worlds, and it is not always easy. When I wrote an Observercolumn about attitudes towards sex in Ghana, I was bombarded with criticism from both ends of the spectrum. On one side, Ghanaians claimed I perpetuated outdated stereotypes by describing sex as taboo and often transactional in nature. On the other were NGO workers who complained that I had failed to mention female genital mutilation and maternal mortality, in their view central features of the African sexual experience.




The battle for the image of Africa – helpless and underdeveloped versus rapidly emerging economic giant – often gets personal. Journalists frequently, and rightly, draw criticism for describing a continent of 54 nations and breathtaking diversity as one country. But some commentators are quick to employ a definition of what it means to be African that excludes returnees like me for being too fair-skinned, too British or too westernised.

But being African is an increasingly complex identity. As someone who has been told she is too black to be British, and too British to be African, I am strongly against the notion that identity can be policed by some external standard. And I am not alone. The term "Afropolitan" is beginning to enter the mainstream; one definition describes it as: "An African from the continent of dual nationality, an African born in the diaspora, or an African who identifies with their African and European heritage and mixed culture.

"It doesn't matter whether they are born abroad or not; the important thing is their global perspective on issues, as well as their mixed cultural identity."

The enthusiasm with which people of African heritage around the world are embracing their roots has reached the level of a cultural resurgence. In stark contrast to my teenage Africa-denial, a significant number of international cultural icons are now African. The black British music scene is dominated by rappers with Ghanaian heritage – Tinchy Stryder, Dizzee Rascal and Sway. Azonto, a popular Ghanaian dance, has begun colonising clubs in London, a growing number of which now include Afrobeat on regular rotation.

This is not to dismiss the inequalities that still exist between Africa's increasingly visible international, urban elite – a category many returnees fall into – and the vast majority of Africans.

The reality is that, on so many levels, access to the west is still a fault line for determining privilege. For example, entrepreneurs in west Africa currently find that borrowing money for their businesses typically comes with interest rates of up to 30%, an unrealistic burden by any standard. Returnees, on the other hand, who have access to loans from foreign banks, can enjoy single-digit interest rates, effectively dominating local markets.

Africa is entering its new dawn, like all societies, with these divisions and inequalities as part of the story. For me, there is a very literal sense with which the past meets the future. On the weekends, from my home in Accra, I often visit a town in the mountains behind the city – Aburi – where my ancestors lived. My grandmother tells me the story of how her grandmother used to roll palm oil in barrels down the hill and on to the coast. These days, I like to visit a restaurant there, set up by a British Ghanaian returnee, and eat Ghanaian food – or pizza, depending on my mood – alongside so many other fugitives from the polluted city, enjoying the cool mountain air.

When she reached the ocean, my great-great grandmother would board a boat westwards along the coast to Takoradi, where she was from. These days, Takoradi is a hub of activity for barrels of a different kind of oil – crude – which have transformed Ghana's economy into one of the fastest growing in the world. I think she would be happy that her great-great granddaughter had returned to see that transformation for herself.





Sunday, October 11, 2020

The Unknown Warrior :Armistice 20

 

Unknown Warrior

At the west end of the Nave of Westminster Abbey is the grave of the Unknown Warrior, whose body was brought from France to be buried here on 11th November 1920. The grave, which contains soil from France, is covered by a slab of black Belgian marble from a quarry near Namur. On it is the following inscription, composed by Herbert Ryle, Dean of Westminster:

BENEATH THIS STONE RESTS THE BODY
OF A BRITISH WARRIOR
UNKNOWN BY NAME OR RANK
BROUGHT FROM FRANCE TO LIE AMONG
THE MOST ILLUSTRIOUS OF THE LAND
AND BURIED HERE ON ARMISTICE DAY
11 NOV: 1920, IN THE PRESENCE OF
HIS MAJESTY KING GEORGE V
HIS MINISTERS OF STATE
THE CHIEFS OF HIS FORCES
AND A VAST CONCOURSE OF THE NATION
THUS ARE COMMEMORATED THE MANY
MULTITUDES WHO DURING THE GREAT
WAR OF 1914-1918 GAVE THE MOST THAT
MAN CAN GIVE LIFE ITSELF
FOR GOD
FOR KING AND COUNTRY
FOR LOVED ONES HOME AND EMPIRE
FOR THE SACRED CAUSE OF JUSTICE AND
THE FREEDOM OF THE WORLD
THEY BURIED HIM AMONG THE KINGS BECAUSE HE
HAD DONE GOOD TOWARD GOD AND TOWARD
HIS HOUSE

Around the main inscription are four texts:

(top) THE LORD KNOWETH THEM THAT ARE HIS,

(sides) GREATER LOVE HATH NO MAN THAN THIS

UNKNOWN AND YET WELL KNOWN, DYING AND BEHOLD WE LIVE,

(base) IN CHRIST SHALL ALL BE MADE ALIVE.

Selecting the Unknown Warrior

The idea of such a burial seems first to have come to a chaplain at the Front, the Reverend David Railton(1884-1955), when he noticed in 1916 in a back garden at Armentières, a grave with a rough cross on which were pencilled the words "An Unknown British Soldier". In August 1920 he wrote to the Dean of Westminster, Herbert Ryle, through whose energies this memorial was carried into effect. The body was chosen from unknown British servicemen exhumed from four battle areas, the Aisne, the Somme, Arras and Ypres. (some sources say six bodies but confirmed accounts say four).

The remains were brought to the chapel at St. Pol on the night of 7th November 1920. The General Officer in charge of troops in France and Flanders, Brigadier General L.J. Wyatt, with Colonel Gell, went into the chapel alone, where the bodies on stretchers were covered by Union Flags. They had no idea from which area the bodies had come. General Wyatt selected one and the two officers placed it in a plain coffin and sealed it. The other three bodies were reburied. General Wyatt said they were re-buried at the St Pol cemetery but Lt. (later Major General Sir) Cecil Smith says they were buried beside the Albert-Baupaume road to be discovered there by parties searching for bodies in the area.

In the morning Chaplains of the Church of England, the Roman Catholic Church and Non-Conformist churches held a service in the chapel before the body was escorted to Boulogne to rest overnight. The next day the coffin was placed inside another which had been sent over specially from England made of two-inch thick oak from a tree which had grown in Hampton Court Palace garden, lined with zinc. It was covered with the flag that David Railton had used as an altar cloth during the War (known as the Ypres or Padre's Flag, which now hangs in St George's Chapel). Within the wrought iron bands of this coffin had been placed a 16th century crusader's sword from the Tower of London collection. The inner coffin shell was made by Walter Jackson of the firm of Ingall, Parsons & Clive Forward at Harrow, north London and the larger coffin was supplied by the undertakers in charge of the arrangements, Nodes & Son.

The coffin plate bore the inscription:

A British Warrior who fell in the Great War 1914-1918 for King and Country.

The ironwork and coffin plate were made by D.J. Williams of the Brunswick Ironworks at Caernarfon in Wales. The destroyer HMS Verdun, whose ship's bell was presented to the Abbey and now hangs near the grave, transported the coffin to Dover and it was then taken by train to Victoria station in London where it rested overnight.

The Burial

On the morning of 11th November the coffin was placed, by the bearer party from the 3rd Battalion Coldstream Guards, on a gun carriage drawn by six black horses of the Royal Horse Artillery. It then began its journey through the crowd-lined streets, making its first stop in Whitehall where the Cenotaph was unveiled by King George V. The King placed his wreath of red roses and bay leaves on the coffin. His card read "In proud memory of those Warriors who died unknown in the Great War. Unknown, and yet well-known; as dying, and behold they live. George R.I. November 11th 1920".

Then the carriage, with the escorting pall bearers (Admirals) Lord Beatty, Sir Hedworth Meux, Sir Henry Jackson, Sir C.E. Madden, (Field Marshals) Lord French, Lord Haig, Lord Methuen, Sir Henry Wilson, (Generals) Lord Horne, Lord Byng, Albert Farrar-Gatliff and Air Chief Marshal Sir Hugh Trenchard followed by the King, members of the Royal Family and ministers of State, made its way to the north door of Westminster Abbey.

While the Cenotaph unveiling was taking place the Choir inside the Abbey sang, unaccompanied, "O Valiant Hearts" (to the tune Ellers). The hymn "O God our help in ages past" was sung by the congregation and after prayers there was the two minutes silence at 11am. The Contakion of the Faithful Departed was then sung and the choir processed to the north porch to meet the coffin, with the hymn "Brief life is here our portion" being sung.

The shortened form of the Burial Service began with the singing of the verses  "I am the resurrection and the life" (set by William Croft) and "Thou knowest Lord" (by Henry Purcell) during the procession to the grave. The coffin was borne to the west end of the nave through the congregation of around 1,000 mourners and a guard of honour of 100 holders of the Victoria Cross (from all three services). They were under the command of Colonel Freyburg VC. The choir sang the 23rd Psalm.

After the hymn "Lead kindly light", the King stepped forward and dropped a handful of French earth onto the coffin from a silver shell as it was lowered into the grave. At the close of the service, after the hymn "Abide with me" (tune Eventide) and prayers, the congregation sang Rudyard Kipling's solemn Recessional "God of our fathers" (to the tune Melita), after which the Reveille was sounded by trumpeters (the Last Post had already been sounded at the Cenotaph unveiling). Other eminent members of the congregation were Queen Alexandra, the queens of Spain and Norway, the Duke of Connaught, politicians Lloyd George and Asquith, and Sir Douglas Dawson.

The grave was then covered by an embroidered silk funeral pall, which had been presented to the Abbey by the Actors' Church Union in memory of their fallen comrades, with the Padre's flag lying over this. Servicemen kept watch at each corner of the grave while thousands of mourners filed past. Wreaths brought over on HMS Verdun were added to others around the grave. The Abyssinian cross, presented to the Abbey at the time of the 1902 coronation, stood at the west end. The Abbey organ was played while the church remained open to the public. After the Abbey had closed for the night some of the choristers went back into the nave and one later wrote "The Abbey was empty save for the guard of honour stiffly to attention, arms (rifles) reversed, heads bowed and quite still - the whole scene illuminated by just four candles".

Special permission had been given to make a recording of the service but only the two hymns were of good enough quality to be included on the record, the first electrical recording ever to be sold to the public (with profits going to the Abbey's restoration fund).

The grave was filled in, using 100 sandbags of earth from the battlefields, on 18th November and then covered by a temporary stone with a gilded inscription on it:

A BRITISH WARRIOR WHO FELL IN THE GREAT WAR 1914-1918 FOR KING AND COUNTRY. GREATER LOVE HATH NO MAN THAN THIS.

New stone and the Congressional Medal

On 11th November 1921 the present black marble stone was unveiled at a special service. The stone (size 7 feet by 4 feet 3 inches, depth 6 inches) was supplied and lettered by Mr Tomes of Acton and the brass for the inscription supplied by Nash & Hull. Benjamin Colson carried out the brass work. The Padre's Flag was also formerly dedicated at this service.

General Pershing, on behalf of the United States of America, conferred the Congressional Medal of Honor on the Unknown Warrior on 17th October 1921 and this now hangs in a frame on a pillar near the grave. In October 2013 the Congressional Medal of Honor Society presented the Society's official flag to the Unknown Warrior and this is framed below the medal.

The body of the Unknown Warrior may be from any of the three services, Army, Navy or Air Force, and from any part of the British Isles, Dominions or Colonies and represents all those who died who have no other memorial or known grave.

When the Duke of York (later King George VI) married Lady Elizabeth Bowes Lyon in the Abbey in 1923 as she left she laid her wedding bouquet on the grave as a mark of respect (she had lost a brother during the war). All royal brides married in the Abbey since then have sent back their bouquets to be laid on the grave (as also have some royal brides who were married elsewhere).

Padre's Flag

A bronze plaque on a pillar outside St George's chapel concerns the Padre's Flag:

This Union Jack sometimes called the Padre's Flag was used day by day on flag post on improvised altar or as a covering for the fallen on the Western Front during the Great War 1914-1918. It covered the coffin of the Unknown Warrior at his funeral on November 11th 1920. After resting for a year on the grave it was presented to the Abbey Church of Westminster on Armistice Day 1921 by the chaplain who used it during the war and was dedicated on the High Altar "To the glory of God and in perpetual memory of all who gave their lives fighting by land and sea and air for their King, for Great Britain and Ireland and for the Dominions beyond the seas

The flag was hoisted onto the pillar above the grave at the dedication service. Company Sgt. Major Harry Evans, a soldier from the 17th London Division climbed a tall ladder to fix the flag, with the 5th brigade of the 47th London Division looking on. It remained there for many years before being moved to hang in St George's chapel in 1964. Before being presented to the Abbey the flag had been cleaned so there are no bloodstains on it.

David Railton

David Railton was born on 13th November 1884 at Leytonstone in London. He received the Military Cross in 1916 for saving an officer and two men under heavy fire. After the war he became Vicar of St John's church at Margate in Kent. He was killed in an accidental fall from a train in Scotland in June 1955.

H.M.S.Verdun bell

The plate below the bell (which is inscribed H.M.S.Verdun 1917) reads:

The bell of H.M.S. Verdun in which the Unknown Warrior was brought from Boulogne to Dover on the eve of Armistice Day 1920. Presented by Cdr. J.D.R. Davies, M.B.E., R.N. Remembrance Sunday 1990.

A postcard of the grave is available from the Abbey shop.

Sir Cecil Smith's account of the re-burial of the three unselected bodies is in Westminster Abbey Library.

Field of Remembrance

The annual Field of Remembrance outside the Abbey was started in 1928 by Major George Howson M.C (died 1936), founder of the British Legion Poppy Factory. He and a few disabled ex-servicemen stood together around a battlefield cross with trays of paper poppies to sell to passers by who could then plant one beside the cross to remember the fallen. In 1932 the Field was expanded to include crosses for the fallen of each regiment and was open for a week.

The Legion organizes the large plot each year and all proceeds go to their poppy appeal for veterans. The late Queen Mother and Philip, Duke of Edinburgh had most often attended the opening ceremony. Prince Harry attended in 2014 and has opened the Field in subsequent years. The familiar words spoken at the dedication of the Field are from Laurence Binyon's poem "For the Fallen" - "They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun, and in the morning, we will remember them."

The Flanders poppy was first described as the 'Flower of Remembrance' by Colonel John McCrae, a medical officer with the Canadian army. At the second battle of Ypres in 1915 he wrote his well known verses 'In Flanders' fields the poppies blow between the crosses, row on row...'. He died of his wounds in 1918. The first Poppy Day in Britain was held on 11th November 1921.

Candle-lit Vigil 2014 and Armistice centenary

On 4th August 2014 at 10:00pm a service with a candle-lit vigil of prayer and reflection was held at the grave to commemorate the start of the First World War in 1914.

Service paper for A Solemn Commemoration on the Centenary of the Outbreak of the First World War(PDF, 1 MB)

A service attended by Queen Elizabeth II, members of the Royal Family and the President of Germanytook place on the evening of 11th November 2018, the centenary of the end of the Great War. Order of Service for A Service to mark the Centenary of the Armistice (PDF, 218KB).

Vigil for the centenary of the Battle of the Somme 2016

Queen Elizabeth II and Philip, Duke of Edinburgh attended a short service on the evening of 30th June 2016, the eve of the battle. Afterwards an all night vigil was kept at the grave of the Unknown Warrior until a service of Requiem on the morning of July 1st, the start of the battle.

Service paper for A Service and Vigil on the Eve of the Centenary of the Battle of the Somme (PDF, 713KB)

Lighting of the Belgian Torch

In November 1945 the Dean of Westminster was asked to re-kindle the Belgian Torch of Remembrance, which had been extinguished by the Nazis during the occupation, at the grave of the Unknown Warrior. This was then taken back to Brussels to the Belgian Unknown Warrior's grave. Each year since then a short ceremony has been held in the Abbey for the lighting of the torch. It is now called the British Torch of Remembrance.

Further Reading and Service Papers

"The story of the Unknown Warrior..." by Michael Gavaghan, 3rd revised edn. 2003

David Railton’s account of the origin of the burial(PDF, 153KB)

The Unknown Warrior (and Field of Remembrance) By James Wilkinson 2013

Service paper from the 'Funeral Service of a British Warrior', 11th November 1920 (PDF, 689KB)

Service paper from the Congressional Medal presentation, 17th October 1921 (PDF, 141KB)

Service paper from the Third Anniversary of the Signing of the Armistice service 11th November 1921 (PDF, 253KB)

A painting of the burial service by Frank Salisbury hangs in a Committee Room in the Houses of Parliament.

The railway carriage which brought the body to London has been restored and can be viewed on Bodiam station, Sussex, where a replica of the coffin is on display.

A list of all the VC holders in the guard of honour is given in the Gavaghan book.

Oxford Dictionary of National Biography 2004

The Great War 1914-1918

The British Empire

Western Front Association

Anglo Belgian Club

Forms of Thanksgiving to Almighty God to be used on Sunday, 17th November 1918 (PDF, 286KB)

Other connections with the Great War in the Abbey

The graves of two Field Marshals, Lord Allenby and Lord Plumer, are in St George's chapel.

A memorial to the Million Dead of the British Empirewas unveiled in 1926 (the inscription was slightly altered after the 1939-45 war) in St George's chapel.

The Verdun Trophy, a circular bronze shield with a sword which was a gift from the City of Verdun to the British Army in 1930, is attached to the metal grille of St George's chapel.

Also in this chapel are recorded the names of former choristers and Abbey staff who died.

A memorial stone to Winston Churchill, First Lord of the Admiralty at the outbreak of war, is in the nave.

A memorial stone to David Lloyd George, Prime Minister in the wartime coalition, is in the nave.

Memorial windows to members of the Royal Flying Corps, the YMCA, the Royal Army Medical Corpsand Prisoners of War in Germany can be seen in the nave and north choir aisle.

Rolls of Honour for the RAMC, Metropolitan Policeand the Queens Westminsters are laid up in the nave.

A memorial tablet to Herbert Asquith, Prime Minister at the outbreak of war, is on a pillar in the north transept.

A memorial stone to sixteen representative poets of the First World War is in Poets' Corner.

The writer C.S. Lewis was wounded at the battle of Arras. His memorial stone is in Poets' Corner.

The grave of Lord Trenchard, who led the Royal Flying Corps, is in the RAF chapel in the Lady chapel.

Order of the Bath stall plates for Earl BeattyLord Birdwood, Viscount Byng of Vimy, Admiral of the Fleet Sir Frederick Field, Sir John French, Earl Haig, Earl Jellicoe, Admiral Sir Arthur Leveson, General Sir John S.M.Shea, General Wavell and Lord Kitchenerare in the Lady Chapel.

A memorial to the British Expeditionary Force (the "Old Contemptibles") is in the west cloister.

A memorial to Ian Fraser (Lord Fraser), who was blinded on the Somme, is in the west cloister. This has a braille inscription.

The Abbey's embroidered white silk funeral pall or hearse cloth was presented in 1920 by the Actors' Church Union in memory of their members who died. Designed by W.D. Caroe it is used at many funerals in the Abbey.

Two embroidered processional banners were presented by the Church Lads' Brigade and the Girls' Friendly Society to remember the fallen.

British Pathe video - Armistice Day 1920: The coffin of the unknown soldier is transported from France to England with great ceremony.

BURIED

11th November 1920

LOCATION

Nave

MEMORIAL TYPE

Grave

MATERIAL TYPE

Marble




Unknown Warrior grave

Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster



Coffin and pall before going to France


 Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


Original stone for the Unknown Warrior


Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


Grave of the Unknown Warrior, 1920


Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


Congressional Medal of Honor


Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


Padre's flag


Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


Verdun Bell


Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


Unknown Warrior grave at Remembrancetide


Image © 2020 Dean and Chapter of Westminster


Burial service by F. Matania

Westminster Abbey Library



Image © 2020 Dean and Chapter of Westminster


Flowers at the Armistice centenary




Westminster Abbey Library

Image © 2020 Dean and Chapter of Westminster


The King's card


Westminster Abbey LibraryTomb of the Unknown Warrior

Image © 2020 Dean and Chapter of Westminster

The unknown warrior was carried from a French battlefield 90 years ago, to be laid to rest among kings and statesmen in Westminster Abbey. But how did this symbol of the sacrifice of war come to be chosen?

In 1916, a Church of England clergyman serving at the Western Front in World War I spotted an inscription on an anonymous war grave which gave him an idea.

That moment of inspiration would blossom into a worldwide ceremony that is still being replicated in the 21st Century - the grave of an unknown warrior, symbolising those who made the ultimate sacrifice for their country.

The Reverend David Railton caught sight of the grave in a back garden at Armentieres in France in 1916, with a rough cross upon which was pencilled the words "An Unknown British Soldier".

In August 1920 Mr Railton wrote to the Dean of Westminster, Herbert Ryle, to suggest having a nationally recognised grave for an unknown soldier. The idea - which had also been mooted by the Daily Express newspaper the year before - was presented to the government and quickly taken up.

Memories of the war, in which a million British people had died, were still raw and the thousands of bodies that lay unidentified were a blight on Britain's conscience.

"Those parents and wives who had lost men to war didn't have anything tangible to grieve at, so the unknown warrior represented their loss," says Terry Charman, a historian at the Imperial War Museum.

But there was a procedure in choosing a single corpse to represent the many unnamed dead. The unknown warrior's body was chosen from a number of British servicemen exhumed from four battle areas - the Aisne, the Somme, Arras and Ypres. These remains were brought to the chapel at St Pol on the night of 7 November 1920, where the officer in charge of troops in France and Flanders, Brig Gen L J Wyatt, went with a Col Gell.

Neither had any idea where the bodies, laid on stretchers and covered by union jacks, were from. 

"The point was that it literally could have been anybody," says Mr Charman. "It could have been an earl or a duke's son, or a labourer from South Africa.

"The idea really caught the public mood, as it was a very democratic thing that it could have been someone from any rank."

Gen Wyatt selected one body - it has been suggested he may have been blindfolded while making his choice - and the two officers placed it in a plain coffin and sealed it. The other bodies were reburied.

The next day the dead soldier began the journey to his final resting place. The coffin was taken to Boulogne and placed inside another coffin, made of oak from Hampton Court and sent over from England. Its plate bore the inscription: "A British Warrior who fell in the Great War 1914-1918 for King and Country". 

This second coffin had a 16th Century sword, taken from King George V's private collection, fixed on top. 

The body was then transported to Dover via the destroyer HMS Verdun and taken by train to London.

On the morning of 11 November 1920 - two years to the day after the war had ended, the body of the unknown warrior was drawn in a procession through London to the Cenotaph. This new war memorial on Whitehall was then unveiled by George V. 

At 1100 there was a two-minute silence, and the body was then taken to nearby Westminster Abbey where it was buried, passing through a guard of honour of 100 holders of the Victoria Cross.

In a particularly poignant gesture, the grave was filled with earth from the main French battlefields, and the black marble stone was Belgian. 

And at the exact time Britain was interring its unknown warrior, France was doing the same - burying its Soldat Inconnu at the Arc de Triomphe in Paris. 

But while the coffin in London had been laid with great ceremony, no-one was exactly sure how the public would respond to this new memorial. In the event, they flocked to it. An estimated 1,250,000 people visited the Abbey to see the grave in only the first week. 

Ninety years on, the dead soldier continues to be honoured, by the public and royalty alike. 

What's more, the symbolism of the act has been mirrored by many other countries around the world. Iraq, the United States, Germany, Lithuania and Poland are just some of those which have created their own memorials.

On 17 October 1921, Britain's unknown soldier was given the US Medal of Honor, America's highest award for bravery, which hangs on a pillar near his grave. On 11 November 1921, the US unknown soldier was reciprocally awarded the Victoria Cross.

And the commemorations have continued - Australia's unknown soldier was buried at Canberra in 1993 and a Canadian equivalent interred in Ottawa in 2000. Six years ago, New Zealand exhumed remains from the Somme in France and buried its own unknown warrior.

Mr Charman says the diminishing significance of the Commonwealth may have added to the need for individual nations, which were once part of the British Empire, to create their own memorials.

"Nowadays, the concept of Commonwealth is much diminished. It doesn't mean anything in the same way it did years ago.

"To have its own unknown warrior, for a country that sent troops to WWI, is part of its own national identity."






Funeral for the unknown soldier 

ASTORIA GALLERY

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